Edit in progress. 1st sweep pending.
Set Surfaces Digital

Sustainable Virtual Production for E-commerce

Hybrid plates, real-time playback and stills-led workflow testing. Four environments tested in a single stills-first virtual production workflow: IRL plates, AI plates and hybrid compositions, played back live via Photoshop on a Mac laptop, assessed against Set Surfaces Digital's 5Cs framework.

Virtual ProductionAI PlatesStills Workflow5Cs Framework
Test overview
Four environments, stills-first VP workflow. IRL, AI and hybrid plates played back live via Photoshop / Mac laptop. Objective: assess cost, creative, culture, compliance and carbon. Creative team: Mel McVeigh, MUA Rebecca Doney, models Dominika Műllerová, Aniaja Mauk and Janko Matic.
Constructed Grace, diagrid atrium plate
The premise

Four series, one day, three plate types.

Each series pairs artist-owned archival location photography with AI: extending aspect ratio, reworking composition, adding characters or costumes, or compositing multiple archive images into an entirely new backdrop. The point of the test wasn't any single plate; it was what changes across cost, creative, culture, compliance and carbon when IRL, AI and hybrid plates sit side by side in the same workflow.

Structure

22 looks produced in one day: Constructed Grace (archival, made graphic), Signal Loss (narrative, characters added), Screenshare (AI-composited from multiple archive images), and Hotel Belvédère (costume-led). Four registers of the same underlying method.

Series 01

Constructed Grace

Plate: artist-owned archival location images, New York and Madrid, shot 2020, modified to feel more graphic, with AI used to extend the ratio to 16:9 and build the fashion styling around it. The most graphically coherent set of the day: a dramatic diagrid glass-and-steel atrium and an origami-fold building facade, carrying a silver holographic gown through several angles before a costume change into a magenta fur coat.

Graphic facade
Atrium, angle A
Atrium, angle B
Atrium, angle C
Atrium, angle D
Costume change: fur, A
Costume change: fur, B
Demonstrates

How far a real archival location plate can be pushed graphically with AI: extending ratio and reworking tone, while staying photographically coherent enough to carry full editorial fashion styling.

Series 02

Signal Loss

Plate: artist-owned archival location images, referencing Cuba, Russia and France in one variant, Cuba, Russia and Melbourne in the other. AI used to extend the ratio to 16:9; one variant reworks the model's composition, the other adds characters to the narrative. A vintage camera and a red rotary phone carry the "signal" motif through a curiosities-shop set and a striped-wallpaper retro apartment.

Curiosities shop, vintage camera
Retro apartment, rotary phone
Raw frame: the rotary-phone shot still has production rig (flight cases, boom light) visible at the frame edges. Left unretouched for now; flag if this needs cropping or cleaning before publish.
Series 03

Screenshare

Plate: artist-owned archival location images reimagined with AI, referencing Buenos Aires and London: backgrounds built as a composite of multiple archive images rather than a single extended plate. The most overtly generated set of the day: flattened colour, repeating structural motifs, and kaleidoscopic symmetry that doesn't read as a single photograph.

Composite portrait
Kaleidoscope, colourway A
Kaleidoscope, colourway B
Kaleidoscope, colourway C
Demonstrates

Compositing multiple archival images into one new AI-built environment, rather than using AI to extend or lightly modify a single real plate; the clearest example in this set of where "hybrid" tips fully into "generated."

Series 04

Hotel Belvédère

Plate: artist-owned archival images, Hotel Belvédère, France. AI used to extend the ratio to 16:9 and add costumes to the models. A hotel-room and boudoir world carrying both leads through a costume change, from a neon-lit night scene into an ornate green sitting room.

Hotel room, neon signage
Green boudoir, A
Green boudoir, B
Both leads, costume variant
Pending your call: the neon signage visible through the window reads as Chinese characters, which sits oddly against a French hotel location; likely part of the AI extension but worth a sense-check. The source doc also spells this "Belvédère" and "Belevedere" inconsistently; pick one before publish.
By the numbers

What one day of plate-led shooting produced

Figures from the shoot, assessed under the Cost pillar of the 5Cs.

22 looksIn one shoot day
7 locationsLondon, NY, Buenos Aires, Kazan, Melbourne, France, Madrid, via plates
1 to 4 hrsPer image
Midjourney, Firefly, GeminiAI tools used
5Cs

Read against the SSD framework

The core methodology, applied here to a single day testing IRL, AI and hybrid plates side by side.

Cost

22 looks in one day using archive and AI plates, removing travel, location access and set builds. Digital workflows shift cost from production into pre-production and on-set control.

Production shifts from physical build to digital control

Creative

Real-time plate editing enabled rapid iteration. IRL plates with clear light direction translated best; window plates and mixed-light interiors needed more intervention to match colour temperature.

Simple lighting translates best, complexity requires control

Culture

Live playback moved decisions into the shoot rather than post. Real-time changes brought more voices into the process, requiring clearer roles and decision boundaries.

Speed increases, structure becomes critical

Compliance

Archive plates give a clear ownership model; AI introduces blurred boundaries between captured and generated content, requiring clear classification for commercial use.

Provenance must be defined, not assumed

Carbon

International locations replaced with digital plates, reusing archive assets. AI's data-centre processing is a genuine trade-off against reduced physical production.

Physical impact reduces, digital impact needs defining
Still needed: the Carbon section's shoot-assumption calculation is still marked as a placeholder in the source material; needs a real figure before this page can be called final.
Close

The plate, not the technology, is the variable.

This shoot demonstrates how virtual production can increase creative output while reducing reliance on physical production. The key variable is not the technology itself, but how plates are sourced, controlled and combined across IRL, AI and hybrid workflows.

Constructed Grace
Screenshare
Hotel Belvédère
Creative team
Mel McVeigh (@melmcveighstudio) · Make-up: Rebecca Doney (@rebeccadoney) · Models: Dominika Műllerová (@domimullerova), Aniaja Mauk (@4.chainzzzz), Janko Matic (@svejetosranje)